Interior Design and Furniture Consultation in Twin Falls
Scale is the hardest thing to judge from a showroom
The design work is not a separate invoice
How it works
1. Tell us the room
2. A designer comes to the house
3. You see the room on paper
4. We order and arrange
Who this is for

A new build

The Unresolved Space

A home in the Wood River Valley
Trade partners: builders, architects, designers, and realtors
Your client spends two years getting the house right, then furnishes it in a weekend, and the last ten percent decides whether the whole project reads as finished.
Bring us in at framing, and the furniture plan can still shape a wall, a window, or where an outlet lands. We measure against your drawings instead of guessing later, and we hand your client a room they can use the day the keys change hands.
For a realtor staging a listing or closing out a build, we work at a different pace but the same standard. Tell us the timeline and the budget, and we build a plan your buyer can act on right away.
Meggan builds the houses this furniture goes into, so your team is starting from the same drawings we already read every day. Call the showroom and tell us what you are finishing.
200+
Designer fabrics
in the library
200+
5
0
Five lines, by design
The lines we carry
Built in High Point, North Carolina, on solid maple with doweled joinery, one of the last upholstery houses still tying seats eight ways by hand as standard, which works out to roughly an hour of one person's day per seat.
Tom and Sabine Verellen started the company on what they grew up around in Antwerp, and the Belgian restraint is still visible in the shapes.
Custom upholstery out of a Los Angeles factory, made to order on kiln-dried hardwood frames, drawing from a fabric library assembled from all over the world.
This is the line for a room that needs a piece which does not exist yet.
Out of Austin, working with artisans across India, Southeast Asia, Europe, and the Americas, using reclaimed wood, natural stone, and hand-forged metal.
This is usually where the texture in a room comes from, the layer that keeps a house from looking like it arrived on one truck.
Hand applied and hand forged by artisans working in iron, brass, bronze, leather, and glass, this is the line we plan alongside the furniture rather than after it.
Lighting decides how every fabric and finish in the room reads once the sun goes down, so we place it in the same conversation as the sofa and the rug, not as an afterthought once the boxes arrive. It is the last ten percent of a room — and the part most homes get wrong, which is precisely the gap Heritage Haus was built to close.
Made in Elliston, Virginia, in the same plant since 1946, with kiln-dried frames, hundreds of fabrics including performance weaves, and slipcovers that come off and go in the wash.
This is what we reach for when a room has to survive children, dogs, or general high-traffic family life.
